|
|
|
|
|
|
|
|
Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
|
|
Koch, Joseph Anton
Austrian Painter, 1768-1839
Painter and writer. He was one of the most important landscape painters of the early 19th century. With his friend Johann Christian Reinhart he pioneered the 'heroic' landscape style by heightening the grandeur and structural clarity of classical Italianate landscapes in the tradition of Nicolas Poussin, Claude Lorrain and Gaspard Dughet. His work reflects a transitional period in European art. Largely under the influence of Asmus Carstens, Koch subscribed to many Neo-classical principles, but his work also has Romantic aspects. His interest in the natural sciences and Romantic philosophy betrayed an increasingly modern world-view, but he also embraced the medievalism of the Nazarenes. |
|
|
|
|
|
|
|
|
|
|
|
Koch, Joseph Anton
The Monastery of St. Francis in Sabine Hills
Rome, oil on panel, The Hermitage, St. Petersburg
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Koch, Joseph Anton
The Schmadribach Falls
1821-22
Oil on canvas,
132 x 110 cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Koch, Joseph Anton
Heroische Landschaft mit dem Regenbogen
Dimensions Expression error: Missing operand for *118 ?? 114 cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
1 | |
|
|
|
|
| Koch, Joseph Anton
|
Austrian Painter, 1768-1839
Painter and writer. He was one of the most important landscape painters of the early 19th century. With his friend Johann Christian Reinhart he pioneered the 'heroic' landscape style by heightening the grandeur and structural clarity of classical Italianate landscapes in the tradition of Nicolas Poussin, Claude Lorrain and Gaspard Dughet. His work reflects a transitional period in European art. Largely under the influence of Asmus Carstens, Koch subscribed to many Neo-classical principles, but his work also has Romantic aspects. His interest in the natural sciences and Romantic philosophy betrayed an increasingly modern world-view, but he also embraced the medievalism of the Nazarenes.
|
|
|
|
|
|
|
|
